The 4 best edith piaf book 2022

Finding the best edith piaf book suitable for your needs isnt easy. With hundreds of choices can distract you. Knowing whats bad and whats good can be something of a minefield. In this article, weve done the hard work for you.

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Edith Piaf: 25 chansons (French Edition) Edith Piaf: 25 chansons (French Edition)
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No Regrets: The Life of Edith Piaf No Regrets: The Life of Edith Piaf
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The Wheel of Fortune: The Autobiography of Edith Piaf The Wheel of Fortune: The Autobiography of Edith Piaf
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dith Piaf: A Cultural History dith Piaf: A Cultural History
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1. Edith Piaf: 25 chansons (French Edition)

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Edith Piaf: 25 chansons (French Edition)

2. No Regrets: The Life of Edith Piaf

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No Regrets

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The iconic French singer comes to life in this biography, which captures Edith Piafs immense charisma along with the time and place that gave rise to her international career. Raised by turns in a brothel, a circus caravan, and a working-class Parisian neighborhood, Piaf began singing on the citys streets, where she was discovered by a Champs Elyses cabaret owner. She became a star almost overnight, seducing all of Paris with her passionate voice, and No Regrets explores her meteoric rise; her tumultuous love affairs; and her struggles with drugs, alcohol, and illness. Piaf was an unlikely student of poetry and philosophy who aided Resistance efforts in World War II, wrote the lyrics for nearly 100 songs, including La vie en rose, and was a crucial mentor to younger singers such as Yves Montand and Charles Aznavour. Burke demonstrates how, with her courage, her incomparable art, and her universal appeal, the little sparrow endures as a symbol of France and a source of inspiration to entertainers the world over.

3. The Wheel of Fortune: The Autobiography of Edith Piaf

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Used Book in Good Condition

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Edith Piaf's life is almost as famous as her work. From her birth (which she liked to tell people was in the Parisian streets, her mother shielded by two gendarmes) to her death (when her husband allegedly drove her corpse from the Cannes hospital where she died to her flat, lest her fans think that she had abandoned Paris) her life story was a rags-to-riches tale like no other. A street singer discovered by the nightclub owner who gave her the stage name Piaf (Sparrow), she rose to become a national heroine. Friends with Charlie Chaplin, Dwight D. Eisenhower, Jean Cocteau, Maurice Chevalier, and Marlene Dietrich, she was also at various times chief suspect for the murder of her mentor, an alcoholic and a drug addict. But she always seemed to embody, and still does, something of the spirit of Paris. Following her death in 1963,40,000 people descended on Pere Lachaise Cemetery for her funeral, and,40 yearson, millions remain fans of her music.

4. dith Piaf: A Cultural History

Description

The world-famous French singer dith Piaf (1915-63) was never just a singer. Dozens of biographies of her, of variable quality, have seldom got beyond the well known and usually contested 'facts' of her life. This book suggests new ways of understanding her. A 'cultural history' of Piaf means exploring her cultural, social and political significance as a national and international icon, looking at her shifting meanings over time, at home and abroad. How did she become a star and a myth? What did she come to mean in life and in death? At the centenary of her birth and more than fifty years after her passing, why do we still remember her work and commemorate her through the work of others, from Claude Nougaro and Elton John to Ben Harper and Zaz, as well as in films, musicals, documentaries and tribute acts around the world? What does she mean today? The book proposes the notion of an imagined Piaf. To a large extent, she was her own invention, not only by virtue of her talent but because she produced narratives about herself, building a mystery. But she was also the invention of others: of those she worked with but above all of her audiences, who made their own meanings from her carefully staged performances. Since her death, the world has been free to imagine new Piafs. From the 1930s until today, she has variously embodied conceptions of the 'popular' and of 'chanson' as a new kind of middlebrow, of gender, sexuality, national identity and the human condition.

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