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Reviews
1. The Public Image: Photography and Civic Spectatorship
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The Public Image Photography and Civic SpectatorshipDescription
By confronting these conflicted reactions to photography, Robert Hariman and John Louis Lucaites make the case for a fundamental shift in understanding photography and public culture. In place of suspicions about the mediums capacity for distraction, deception, and manipulation, they suggest how it can provide resources for democratic communication and thoughtful reflection about contemporary social problems.
The key to living well in the image world is to unlock photography from viewing habits that inhibit robust civic spectatorship. Through insightful interpretations of dozens of news images, The Public Image reveals how the artistry of the still image can inform, challenge, and guide reflection regarding endemic violence, environmental degradation, income inequity, and other chronic problems that will define the twenty-first century.
By shifting from conventional suspicions to a renewed encounter with the image, we are challenged to see more deeply on behalf of a richer life for all, and to acknowledge our obligations as spectators who are, crucially, also citizens.
2. The Suffering
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The SufferingDescription
Breathtaking and haunting, Rin Chupeco's second novel is a chilling companion to her debut, The Girl from the Well.
The darkness will find you.
Seventeen-year-old Tark knows what it is to be powerless. But Okiku changed that. A restless spirit who ended life as a victim and started death as an avenger, she's groomed Tark to destroy the wicked. But when darkness pulls them deep into Aokigahara, known as Japan's suicide forest, Okiku's justice becomes blurred, and Tark is the one who will pay the price...
3. Suffering Ties That Bind - PlayStation 2
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Journey into Madness - Delve deep into Torque's past with flashbacks and define his future path while battling inner demons, rage, and a tenuous grip on sanity.Disturbing Characters and Creatures - A plethora of brand new ferocious fiends in addition to several returning favorites designed to depict tough societal problems like street crimes, gun violence and riots that prosper in poverty stricken slums.
Choose your path, Choose your plot - Define the true story behind the nature of Torque's crimes and his journey into madness with game-defining moral choices that affect the game's outcome - each path providing a completely different gaming experience.
Master the Rage - New multi-leveled insanity mode is tied directly to players' actions, creating the most deadly weapon in the game - Torque's inner demon.
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Suffering: Ties That Bind is a revolutionary action-horror game that emphasizes the disturbing terror of its predecessor, with all-new twisted creatures and a few familiar faces. Set in the slums and prisons of Baltimore, the player once again controls Torque as he seeks revenge against the mysterious grand manipulator Caleb Blackmore, a man somehow tied to the death of Torque's family. Players will explore the tough and unforgiving inner-city streets, with poverty and urban injustices trapping people just as effective as a physical prison. The unique morality system returns, as players delve into the perverse world of Torque's sanity to discover his past and struggle to control his future. A Seedy, Urban World - Explore the gritty slums, streets, and prisons of Baltimore, battling urban injustices and demons spawned from historical events of urban squalor Refined and Enhanced Gameplay - Featuring a redesigned and streamlined inventory, expanded player movement mechanics, refined controls, more varied and advanced enemy AI and a large arsenal of weapons Ties that Bind melds big action sequences with visceral horror elements.4. Forgetting Lot's Wife: On Destructive Spectatorship
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Used Book in Good ConditionDescription
Can looking at disaster and mass death destroy us? Forgetting Lots Wife provides a theory and a fragmentary history of destructive spectatorship in the twentieth century. Its subject is the notion that the sight of historical catastrophe can destroy the spectator. The fragments of this history all lead back to the story of Lots wife: looking back at the destruction of the cities of Sodom and Gomorrah, she turns into a pillar of salt. This biblical story of punishment and transformation, a nexus of sexuality, sight, and cities, becomes the template for the modern fear that looking back at disaster might petrify the spectator. Although rarely articulated directly,
this idea remains powerful in our culture. This book traces some of its aesthetic, theoretical, and ethical consequences.
Harries traces the figure of Lots wife across media. In extended engagements with examples from twentieth-century theater, film, and painting, he focuses on the theatrical theory of Antonin Artaud, a series of American films, and paintings by Anselm Kiefer. These examples all return to the story of Lots wife as a way to think about modern predicaments of the spectator. On the one hand, the sometimes veiled figure of Lots wife allows these artists to picture the desire to destroy the spectator; on the other, she stands as a sign of the potential danger to the spectator. These works, that is, enact critiques of the very desire that inspires them.
The book closes with an extended meditation on September 11, criticizing the notion that we should have been destroyed by witnessing the events of that day.
5. The Spectatorship of Suffering
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Used Book in Good ConditionDescription
This book is about the relationship between the spectators in countries of the west, and the distant sufferer on the television screen; the sufferer in Somalia, Nigeria, Bangladesh, India, Indonesia, but also from New York and Washington DC. How do we relate to television images of the distant sufferer? The question touches on the ethical role of the media in public life today. They address the issue of whether the media can cultivate a disposition of care for and engagement with the far away other; whether television can create a global public with a sense of social responsibililty towards the distant sufferer.
6. The Illuminated Theatre: Studies on the Suffering of Images
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RoutledgeDescription
What sort of thing is a theatre image? How is it produced and consumed? Who is responsible for the images? Why do the images stay with us when the performance is over? How do we learn to speak of what we see and imagine? And how do we relate what we experience in the theatre to what we share with each other of the world?
The Illuminated Theatre is a book about theatricality and spectatorship in the early twenty-first century. In a wide-ranging analysis that draws upon theatrical, visual and philosophical approaches, it asks how spectators and audiences negotiate the complexities and challenges of contemporary experimental performance arts.
It is also a book about how European practitioners working across a range of forms, from theatre and performance to dance, opera, film and visual arts, use images to address the complexities of the times in which their work takes place. Through detailed and impassioned accounts of works by artists such as Dickie Beau, Wendy Houstoun, Alvis Hermanis and Romeo Castellucci, along with close readings of experimental theoretical and art writing from Gillian Rose to T.J. Clark and Marie-Jos Mondzain, the book outlines the historical, aesthetic and political dimensions of a contemporary suffering of images.
7. Spectatorship: Shifting Theories of Gender, Sexuality, and Media
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Media platforms continually evolve, but the issues surrounding media representations of gender and sexuality have persisted across decades. Spectator: The University of Southern California Journal of Film and Television Criticism has published groundbreaking articles on gender and sexuality, including some that have become canonical in film studies, since the journal's founding in 1982. This anthology collects seventeen key articles that will enable readers to revisit foundational concerns about gender in media and discover models of analysis that can be applied to the changing media world today.
Spectatorship begins with articles that consider issues of spectatorship in film and television content and audience reception, noting how media studies has expanded as a field and demonstrating how theories of gender and sexuality have adapted to new media platforms. Subsequent articles show how new theories emerged from that initial scholarship, helping to develop the fields of fandom, transmedia, and queer theory. The most recent work in this volume is particularly timely, as the distinctions between media producers and media spectators grow more fluid and as the transformation of media structures and platforms prompts new understandings of gender, sexuality, and identification. Connecting contemporary approaches to media with critical conversations of the past, Spectatorship thus offers important points of historical and critical departure for discussion in both the classroom and the field.