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1. Styles of Radical Will
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Styles of Radical WillDescription
Styles of Radical Will, Susan Sontag's second collection of essays, extends the investigations she undertook in Against Interpretation with essays on film, literature, politics, and a groundbreaking study of pornography.
2. A Susan Sontag Reader
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A Susan Sontag ReaderDescription
Susan Sontag occupies a special place in Modern American letters. She has become our most important critic, while her brilliant novels and short fiction are, at long last, getting the recognition they deserve. Sontag is above all a writer, which is only to say that, though the form may differ, there is an essential unity in all her work. The truth of this is perhaps more evident in A Susan Sontag Reader than in any of Sontag's individual books. The writer selected a sampling of her work, meaning the choice both to reflect accurately a career and also to guide the reader toward those qualities and concerns which she prizes in her own writing.
A Susan Sontag Reader is arranged chronologically and draws on most of Sontag's books. There are selections from her two novels, The Benefactor and Death Kit, and from her collections of short stories, I, etcetera. The famous essays from the 1960s--"Against Interpretation," "Notes on Camp," and "On Style"--which established Sontag's reputation and can be fairly said to have shaped the cultural views of a generation are included, as are selctions from her two subsequent volumes of essays, Styles of Radical Will and Under the Sign of Satury.A part of Sontag's best-selling On Photography is also included.
It is astonishing to read these works when they are detached from the books they appeared in and offered instead in the order in which Sontag wrote them. The connections between various literary forms, the progression of themes, are revealed in often startling ways. Moreover, Sontag has included a long interview in which she moves mroe informally over the whole range of her concerns and of her work. The volume ends with "Writing Itself," a previously uncollected essay on Roland Barthes which, in the eyes of many, is one of Sontag's finest achievements.
This collection is, in a sense, both a self-potrait and a key for a reader to understand the work of one of the most imporant writers of our time.
3. Against Interpretation: And Other Essays
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Great product!Description
Against Interpretation was Susan Sontag's first collection of essays and is a modern classic. Originally published in 1966, it has never gone out of print and has influenced generations of readers all over the world. It includes the famous essays "Notes on Camp" and "Against Interpretation," as well as her impassioned discussions of Sartre, Camus, Simone Weil, Godard, Beckett, Levi-Strauss, sceince-fiction movies, psychoanalysis, and contemporary religious thought.
This edition has a new afterword, "Thirty Years Later," in which Sontag restates the terms of her battle against philistinism and against ethical shallowness and indifference.
4. Against Interpretation: And Other Essays by Susan Sontag (2001-08-25)
5. Against Interpretation and Other Essays (Penguin Modern Classics) by Susan Sontag (2009-07-02)
6. At the Same Time: Essays and Speeches
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"A writer is someone who pays attention to the world," Susan Sontag said in her 2003 acceptance speech for the Peace Prize of the German Book Trade, and no one exemplified this definition more than she. Sontag's incisive intelligence, expressive brilliance, and deep curiosity about art, politics, and the writer's responsibility to bear witness have secured her place as one of the most important thinkers and writers of the twentieth century. At the Same Time gathers sixteen essays and addresses written in the last years of Sontag's life, when her work was being honored on the international stage, that reflect on the personally liberating nature of literature, her deepest commitment, and on political activism and resistance to injustice as an ethical duty. She considers the works of writers from the little-known Soviet novelist Leonid Tsypkin, who struggled and eventually succeeded in publishing his only book days before his death; to the greats, such as Nadine Gordimer, who enlarge our capacity for moral judgment. Sontag also fearlessly addresses the dilemmas of post-9/11 America, from the degradation of our political rhetoric to the appalling torture of prisoners in Abu Ghraib.
At the Same Time, which includes a foreword by her son, David Rieff, is a passionate, compelling work from an American writer at the height of her powers, who always saw literature "as a passport to enter a larger life, the zone of freedom."
7. On Photography
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Picador USADescription
Winner of the National Book Critics' Circle Award for Criticism.
One of the most highly regarded books of its kind, On Photography first appeared in 1977 and is described by its author as "a progress of essays about the meaning and career of photographs." It begins with the famous "In Plato's Cave"essay, then offers five other prose meditations on this topic, and concludes with a fascinating and far-reaching "Brief Anthology of Quotations."
8. Where the Stress Falls: Essays
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Thirty-five years after her first collection, the now classic Against Interpretation, America's most important essayist has chosen more than forty longer and shorter pieces from the last twenty years. Divided into three sections, the first "Reading" includes ardent pieces on writers from her own private canon - Machado de Assis, Barthes, W. G. Sebald, Borges, Tsvetaeva, and Elizabeth Hardwick. In the second, "Seeing" she shares her passions for film, dance, photography, painting, opera, and theater. And in the final section, "There and Here" Sontag explores her own commitments to the work (and activism) of conscience and to the vocation of the writer.
9. Susan Sontag: Essays of the 1960s & 70s: Against Interpretation / Styles of Radical Will / On Photography / Illness as Metaphor / Uncollected Essays (The Library of America)
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Used Book in Good ConditionDescription
With the publication of her first book of criticism, Against Interpretation, in 1966, Susan Sontag placed herself at the forefront of an era of cultural and political transformation. What is important now, she wrote, is to recover our senses . . . . In place of a hermeneutics we need an erotics of art. She would remain a catalyzing presence, whether writing about camp sensibility, the films of Jean-Luc Godard and Alain Resnais, her experiences as a traveler to Hanoi at the height of the Vietnam War, the aesthetics of science-fiction and pornography, or a range of modern thinkers from Simone Weil to E. M. Cioran. She opened dazzling new perspectives on any subject she addressed, whether the nature of photography or cultural attitudes toward illness. This volume, edited by Sontags son David Rieff, presents the full texts of four essential books: Against Interpretation, Styles of Radical Will (1969), On Photography (1977), and Illness as Metaphor (1978). Also here as a special feature are six previously uncollected essays including studies of William S. Burroughs and the painter Francis Bacon and a series of reflections on beauty, aging, and the emerging feminist movement.10. Under the Sign of Saturn: Essays
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This third essay collection by America's leading essayist brings together her most important critical writing from 1972 to 1980, in which she explores some of the most influential artists and thinkers of our time.
11. Susan Sontag: Later Essays: Under the Sign of Saturn / AIDS and its Metaphors / Where the Stress Falls / Regarding the Pain of Others / At the Same Time (The Library of America)
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LIBRARY OF AMERDescription
An unprecedented collection of the controversial later writings of the greatestand most provocative critic of our time.Susan Sontag was the most influential critic of her time. This second volume inLibrary of America's definitive Sontag edition gathers all the collected essays andspeeches from her last quarter-century, brilliant works whose subjects, from theAIDS epidemic, 9/11, the Iraq war, and the perverse allure of Fascism to painting,dance, music, film, and scintillating literary portraits of such writers as WalterBenjamin, Roland Barthes, Antonin Artaud, Machado de Assis, Jorge Luis Borges,Nadine Gordimer, Joseph Brodsky, W. G. Sebald, Marina Tsvetayeva, and RobertWalser, bear enduring witness to passionate curiosity and expansive intellect. Shebrings to every subject an unwavering focus and intensity, and a deep commitmentto "extending our sense of what a human life can be," as she said on accepting theJerusalem Prize in 2000. An account of her 1993 residence in war-torn Sarajevo tostage a production of Waiting for Godot becomes a meditation on the meaning ofculture: "Culture, serious culture, is an expression of human dignity-which is whatpeople in Sarajevo feel they have lost." AIDS and Its Metaphors marks a furtherdevelopment of the central ideas of her classic Illness as Metaphor, whileRegarding the Pain of Others explores eloquently the troubling moral issues
surrounding photographic depictions of violence, cruelty, and atrocity.