We spent many hours on research to finding siren song book, reading product features, product specifications for this guide. For those of you who wish to the best siren song book, you should not miss this article. siren song book coming in a variety of types but also different price range. The following is the top 4 siren song book by our suggestions:
Reviews
1. Siren's Song: The Allure of War
Description
Do you dream of war? Everyone dreams. However, some of us dream about a nightmare that is a timeless character in civilization: war. The Siren's Song of war has a hold upon much of mankind, in that some of us are drawn to it like nothing else. Some of us fantasize about this experience called war. We read books, watch movies, and play video games about combat. Some wonder if they would be brave enough to face the enemy and stare death in its face. Others wonder what the sound of a bullet flying overhead makes or how it feels to lay eyes upon the enemy for the first time. This is a story of one man who was captivated by the Siren's call to war. The Sirens of war awaited him in the Pesh River Valley of Kunar Province, Afghanistan. There in Kunar, he finally learned the truth about war.2. Siren's Song (The Storm Siren Trilogy)
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Thomas NelsonDescription
"The realization hits: We're not going to win. It's why I couldn't defeat Draewulf in Bron--because this power was never mine anyway. I drop my arms and let the energy die off. And turn around to face Eogan."After a fierce battle with Draewulf, Nym barely escaped with her life. Now, fleeing the scorched landscape of Tulla, her storm-summoning abilities are returning; only . . . the dark power is still inside her.
Broken and bloodied, Nym needs time to recover, but when the full scope of the shapeshifter's horrific plot is revealed, the strong-willed Elemental must race across the Hidden Lands and warn the other kingdoms before Draewulf's final attack.
From the crystalline palaces of Cashlin to the legendary Valley of Origin, Nym scrambles to gather an army. But even if she can, will she be able to uncover the secret to defeating Draewulf that has eluded her people for generations? With a legion of monsters approaching, and the Hidden Lands standing on the brink of destruction, the stage is set for a battle that will decide the fate of the world.
This time, will the Siren's Song have the power to save it?
"This series comes to a close with an intense pursuit of good by evil, with the fate of all in the hands of teenaged Nym. She is consistently inconsistent in her feelings and fears, truly human in her characterization and a champion accessible to readers who can identify with her insecurities."4 starred review (RT Book Reviews)
"...the story has many battles and explores the cost that come from fighting evil, whether external powers or the evil within the human heart...for readers who have cheered Nym and Faelen on, the conclusion will be both painful and satisfying."(Booklist)
'Weber's writing makes me want to join the fight...'(Forever Young Adult)
'...a well thought-out, action-packed fantasy...'(Book Nerds Across America)
'A perfect conclusion to this delightfully brave trilogy, Siren's Song will leave you eager to read whatever falls from the pen of talented author Mary Weber next.'(USA Today)
3. The Siren Song (The Cronus Chronicles)
Description
Inside an ordinary middle school in an ordinary city, a small redheaded eighth grader is doing something very ordinary, indeed.Ever since Charlotte Mielswetzski and her cousin, Zee, saved the world, life has been rather ordinary. Ordinary, that is, if you call being ultramegagrounded (in Charlotte's case) or treated as if you might fall to pieces (in Zee's case) ordinary. Either way, heroes deserve better.
Of course, no one knows Charlotte and Zee are heroes. It's not like they can simply announce that Greek myths are real or proclaim they have returned from the Underworld, where they rescued all of mankind from Philonecron, a deranged demigod with delusions of grandeur. Instead, they are forced to keep this terrible knowledge to themselves, and are stuck in a state of extraordinary ordinariness.
But things aren't quite as ordinary as they seem. For Philonecron is the grandson of Poseidon, and you don't mess with the progeny of the second most powerful god in the universe. And Philonecron himself isn't so happy about having all of his delicious plans thwarted by mortal children. He wants revenge, and with his grandfather to help him, he is going to get what he wants.
For Charlotte and Zee, their not-so-ordinary lives are about to be disrupted once again. This time it's not the world they must save -- it's themselves.
In the thrilling second installment of the Cronus Chronicles trilogy, author Anne Ursu brings her trademark wit to a spectacular adventure on the high seas.
4. Siren Songs : Representations of Gender and Sexuality in Opera
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Used Book in Good ConditionDescription
It has long been argued that opera is all about sex. Siren Songs is the first collection of articles devoted to exploring the impact of this sexual obsession, and of the power relations that come with it, on the music, words, and staging of opera. Here a distinguished and diverse group of musicologists, literary critics, and feminist scholars address a wide range of fascinating topics--from Salome's striptease to hysteria to jazz and gender--in Italian, English, German, and French operas from the eighteenth to the twentieth centuries. The authors combine readings of specific scenes with efforts to situate these musical moments within richly and precisely observed historical contexts. Challenging both formalist categories of musical analysis and the rhetoric that traditionally pits a male composer against the female characters he creates, many of the articles work toward inventing a language for the study of gender and opera.
The collection opens with Mary Ann Smart's introduction, which provides an engaging reflection on the state of gender topics in operatic criticism and musicology. It then moves on to a foundational essay on the complex relationships between opera and history by the renowned philosopher and novelist Catherine Clment, a pioneer of feminist opera criticism. Other articles examine the evolution of the "trouser role" as it evolved in the lesbian subculture of fin-de-sicle Paris, the phenomenon of opera seria's "absent mother" as a manifestation of attitudes to the family under absolutism, the invention of a "hystericized voice" in Verdi's Don Carlos, and a collaborative discussion of the staging problems posed by the gender politics of Mozart's operas.
The contributors are Wye Jamison Allanboork, Joseph Auner, Katherine Bergeron, Philip Brett, Peter Brooks, Catherine Clement, Martha Feldman, Heather Hadlock, Mary Hunter, Linda Hutcheon and Michael Hutcheon, M.D., Lawrence Kramer, Roger Parker, Mary Ann Smart, and Gretchen Wheelock.